The Fall of Cinema Culture in Hyderabad
APP
Hyderabad: Decades ago, cinemas thrived across Pakistan, from bustling metropolitan hubs to smaller towns.
Hyderabad, in particular, was known for its vibrant cinema culture, with over 20 operational venues during its peak. Today, only one cinema, Bambino, stands as a remnant of this once-thriving industry.
Bambino Cinema, established in 1974 by the Syed family—who also managed cinemas in Karachi and other Sindh cities—remains the last surviving cinema in Hyderabad.
Once a bustling venue that welcomed families and film enthusiasts, Bambino is now struggling with declining revenues and inadequate maintenance.
The cinema, which can seat up to 800 people, currently attracts a mere 20-30 visitors per show.
Kazim, an employee at Bambino, recalls its golden days when it employed a staff of 30. Now, only 10 employees remain.
He laments the downturn, sharing that he once declined a government job in hopes of a cinema revival— a decision he now regrets.
In recent years, Hyderabad has witnessed the closure or demolition of 25 once-popular cinema halls, including venues like Rahat, Nishat, Shalimar, and Odeon.
The cinemas that drew large crowds in the past now stand silent or have been replaced by new developments. Among the closed cinemas are the Bombino and Shahab, while others, such as Qaiser, Shams, and Noor Mahal, have been completely demolished.
Malak Yousuf Jamal, head of Kamran Art Promoters, reflected on the lost era of Pakistani cinema, stating that Bambino Cinema had closed two years ago while awaiting a capable contractor to revitalize the facility.
Jamal envisions a return to Bambino’s former glory with improved infrastructure, staff, food courts, lighting, and seating, hoping to attract audiences—particularly families—back to the cinema.
Bambino opened in 1974 with the film Dekha Jaega, starring Shahid and Babra and directed by Jan Muhammad Juman.
The cinema was known for showcasing blockbuster Pakistani and English films, captivating audiences for decades. However, without the necessary investment and interest, the city’s cinema culture faces an uncertain future.
